Sunday, July 8, 2007

* A New ZOO Review

With my brother & family's advent to Lincoln this last week, I got to re-appreciate Lincoln's Folsom Children's Zoo and to see (hurriedly) Omaha's Henry Doorly Zoo for the first time. If "NATURE" = a FOX enterprise ("When Animals Attack"), the ZOO, to coin another phrase, is "Where Animals . . . Lie Around & Look Miserable." Of course, this is a vast over-generalization, the eco-issues involved are inordinately complex, and more specific "photo-journalist reports" will be forthcoming. But one pict for now (for fans of Rilke's Der Panther sonnet):

Wednesday, July 4, 2007

* It HAD to Be You

Sometimes I figure out/arrange an old jazz or Tin Pan Alley tune, the lyrics of which just happen to be nowhere near reflecting my current emotional state—or even my general psychic orientation. It was no pleasure, indeed, having the lyrics of the following running through my head (or my own parody thereof) as I decided on particular chord voicings:


IT HAD TO BE YOU
================
--Isham Jones, 1924
--4/4 // key of GM // ad-lib/rubato jazz feel (ergo rhythms approx./suggestions)
--"solo" fingerstyle acoustic arrangement: tcg, 7/07
#==== : hold note (incl. thru subsequent note[s])

D+ GM7
------------------pickup notes::::---------------------------------2=====|
-----------------------------------------------3----5----3----5----3=====|
-----------------------------------------------3===============----4=====|
-----------------------------------------------4===============----------|
-----------------------------------------------5===============----------|
-------------------------------------------------------------------------|
1 & 2 & 3 & 4 &
::A1::
GM7 D+ GM7 E7
||====2---------------2------(2)------|--2--------2-(2h)3----2----3--/4====|
||====3---------------3------(3)------|--3---------------------------------|
||====4---------------3------(3)------|--4---------------------------------|
||------------------------------------|------------------------------------|
||------------------------------------|------------------------------------|
||------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

E7 Eo7 E7 A9
|===4-------4-------4-------3---4====|========---4------/5---4---5--/7====|
|-----------3-------3-------2---3====|========--(3)-----------------------|
|-----------4-------4-------3---4====|========--(4)-----------------------|
|------------------------------------|------------------------------------|
|------------------------------------|------------------------------------|
|--(0)--0-------0--------------------|---0---0-------0--------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

A9
|===7-------7\------5---4---5--/7====|===7-------7\------5---4---5--/7====|
|-----------5\------x----------------|-----------5\------x----------------|
|-----------6\-----------------------|-----------6\-----------------------|
|----------(5)\----------------------|----------(5)\----------------------|
|---0---0-------0--------------------|---0---0-------0--------------------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

A7b9 A7 D13
|===7-------7------6--------6--------|---5-------5-------7---5---7--/10===|
|-----------5------5--------5--------|---5-------5-------x----------------|
|-----------6------6--------6--------|---6-------6------------------------|
|----------(5)----(5)------(5)-------|--(5)-----(5)-----------------------|
|---0---0-------0-------0-------0----|-------0-------0--------------------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

D13 D#o7 Em
|===10------10------10------9---10===|===10-----10-------5-------5--------|
|-----------12------12------11--12===|===12-----12-------7---7-------8====|
|-----------11------11------10--11===|===11-----11-------5-=======---9====|
|--(0)--0-------0-------0------------|---0---0-------0---------------9====|
|------------------------------------|-------------------6========--------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

Em Em(M7) Em7 A7
|------------------------------------|-------------------------------5====|
|====---------------8-------8--------|---8-------8-------8---7---8--------|
|====---9=====------8-------8--------|---7-------7-------7========--------|
|====---------------9-------9--------|---9-------9-------9========--------|
|---7-------7---7---7-------7--------|---7-------7-------7========--------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

A7 D9
|===5-------5-------------------5====|===5-------5-------7---10--7---5====|
|-----------5-------8-\-7---8--------|-----------5-------8========--------|
|-----------6-------6========--------|-----------6-------9========--------|
|-----------5-------5========--------|-----------5------------------------|
|---0---0-------0--(0)=======--------|---0---0-------0---0========--------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

D9 D#9 D9 D+ GM7
|===5-------5-------6-------6--------|---5---------------------------2===||
|-----------5-------6-------6--------|---5-----------3---5---3---5---3===||
|-----------5-------6-------6--------|---5-----------3============---4===||
|-----------4-------5-------5--------|---4-----------4============-------||
|---5---5-------5---6-------6--------|---5-----------5============-------||
|------------------------------------|-----------------------------------||
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

::A2::
GM7 D+ GM7 E7
||====2------(2)------2-------2-------|--2--------2-(2h)3----2----3--/4====|
||====3------(3)------3-------3-------|--3---------------------------------|
||====4------(4)------3-------3-------|--4---------------------------------|
||------------------------------------|------------------------------------|
||------------------------------------|------------------------------------|
||------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

E7 Eo7 E7 A9
|===4-------4-------4-------3---4====|========---4------/5---4---5--/7====|
|-----------3-------3-------2---3====|========--(3)-----------------------|
|-----------4-------4-------3---4====|========--(4)-----------------------|
|------------------------------------|------------------------------------|
|------------------------------------|------------------------------------|
|---0---0-------0--------------------|---0---0-------0--------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

A9
|===7-------7\------5---4---5--/7====|===7-------7\------5---4---5--/7====|
|-----------5\------x----------------|-----------5\------x----------------|
|-----------6\-----------------------|-----------6\-----------------------|
|----------(5)\----------------------|----------(5)\----------------------|
|---0---0-------0--------------------|---0---0-------0--------------------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

A7b9 A7 CM7
|===7-------7------6--------6--------|---5-------5---5---7---8---10--12===|
|-----------5------5--------5--------|---5-------5--(5)--x-----------12===|
|-----------6------6--------6--------|---6-------6--(6)--------------12===|
|----------(5)----(5)------(5)-------|--(5)-----(5)-(5)--------------10===|
|---0---0-------0-------0-------0----|-------0----------------------------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

CM7 Cm6 GM7
|===12\-------------0---2---3--/5====|===5-------5-------5---7---8---10===|
|===12\\-----------------------------|-----------4-------x----------------|
|===12\\-----------------------------|-----------5------------------------|
|===10\\-----------------------------|-----------5------------------------|
|------\-----------------------------|------------------------------------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

GM7 B7 B+ B7 Em7 D7
|===10------10\----------------------|------------------------------------|
|-----------12\-----10--8---10--8====|===8----------------------------7===|
|-----------11\-----8========---7====|===7-------7-----(7h)9---7---9------|
|-------------------9========---9====|===9-----------------9========------|
|-----------10\----------------------|---7---7-------7-----7========------|
|------------------------------------|------------------------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

D7 ritard. D13
|------------------------------------|-------------------7-----10----7----|
|===7-------7-------5-------5----7===|===7-------7-------7============----|
|-----------5-------5----7-----------|-----------5-------7============----|
|-----------7-------7----------------|-----------7-------10===========----|
|---5---5-------5--(5)---------------|---5---5-------5--------------------|
|------------------------------------|------------------[---triplets----]-|
1 & 2 & 3 & 4 & 1 & 2 & 3 4

GM6 D7 G5
|---3--------------------------------|-----------------------------------||
|---5---------------3----------------|-----------------------------------||
|---4---------------5----------------|-----------------------------------||
|---5---------------4-----------5====|===5-------------------------------||
|-------------------5----------------|-----------------------------------||
|-------------------------------3====|===3-------------------------------||
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

Sunday, July 1, 2007

* Mac Geekdom: Backing Up Yr Blog

I swear that I spend half my life backing up my "shtuff" from one drive to another. So I was initially nervous about relying on a 3rd-party server to hold all my blog entries. Solution—to my own paranoia, anyway—and for those of you on a Mac w/ Safari: go into Dashboard and choose "display all posts" as a preference. Then in Safari: File: Save as ... Web Archive. It's a good-sized file, but all yr "shtuff" is saved to yr hard drive. (Now change yr prefs back to the 10 or 15 entries-to-be-displayed that you'd previously selected.)

* John & Martha V

My wife just told me over the phone that my natural disposition is "mean and hurtful." I think it "merely" stems from being an oldest child, with an instinct to kick the younger siblings out of the nest? And yes, there's a definite attraction/similarity to Michael Savage here: as much as I detest his politics/worldview in toto, I no doubt still relish his "mean & hurtful" tone?!

Friday, June 29, 2007

* John & Martha IV; Quitting Smoking

Maybe this is only funny to me because I just quit smoking myself (16 days, 11 hours, & 31 minutes ago):Quitting smoking partly—no, mostly—explains why I've been on a lot of outdoors excursions recently; the most dangerous place for me right now is my formerly smoke-filled (& still smoke-stained) apartment. Car trips are my current salvation.

* Pioneering New Frontiers—with Empty Beer Cans

"Pioneering New Frontiers" is the U of Nebraska's "new" (a few years old now) PR "slogan." And it certainly well represents an ongoing colonialist ideology that still permeates this state in terms of both place names and—I assume—good ol' boy attitudes, be they conscious or unconscious. As I've travelled the back dirt roads around Lincoln this summer in search of birds, the names of the lakes and SRAs (State Recreational Areas) have struck me as inordinately symptomatic: places like Stagecoach, and Wagon Train, and Conestoga. (As I drag my binoculars out of the car upon my arrival at one of these venues, I half-expect Hoss Cartwright or Rowdy Yates to show up on a fast horse and ask me, "Boy. [Dramatic pause.] You from around these parts?") Then there are the apparent acknowledgements to Native Americana, as in the names of Pawnee Lake/SRA and Indian Cave State Park. But for some reason, I keep hearing in my mind's ear "Indian Joe State Park" for the latter, and feel the flash-of-a-moment hope that Tom & Becky are safe from that savage ne'er-do-well's dastardly doings. (In other words, there's something exotically sinister in the connotations of the very phrase "Indian Cave.") At last, such names—"in these here parts"—sound so much like guilty elegies, half-hearted half-tributes to a race long gone. (And—well—"good riddance to 'em!" Examine a state map of Nebraska for Indian reservations to see how well the Natives were gotten rid of—in "these parts.")

Thank the Lord, then, that the colonials are taking good care of the good ol' Nebraska land, what with all the nature set-asides and such. (I keep reverting here to redneck idioms, for some reason.) Every SRA & state park has a large sign at every entrance, "No alcohol consumption allowed." But I swear that I've seen more empty beer cans and broken beer bottles in such places than I have Red-winged Blackbirds. (Hint: these are very common birds "in these parts"!) Seriously, I guess the problem is state funding for enforcement; the staffing of even the more frequented state parks seems really insufficient, and I'd assume, too, that conservation is hardly high on the agenda of those at the State Capitol, proud though they be of the nesting pair of Peregrines atop that building.

Wednesday, June 27, 2007

Tuesday, June 26, 2007

* John & Martha III

*RADIO RANT: Dryden True

Michael Savage defended his hate-laced, race-baiting demagoguery last night (6/25/07) by appealing (once again) to some bon mot by Dryden on satire. (In other words: what I do isn't hate! It's in the grand tradition of Dryden & Pope & Swift!) Well, he got Swift's first name right, but he referred to Dryden—twice—as "Robert Dryden," reaffirming my suspicion in a previous blog entry [4/13/07] that Savage, our foremost man of les belles lettres, is really no great aficionado of the English writer . . . JOHN Dryden. Savage even said that he put the quot. from this "Robert" Dryden at the beginning of his latest book; but again, it's obviously straight from a quotation dictionary (or another 2ndary source), then, not from Savage's deep excursion into the annals of British Neoclassical lit & wit.

Sunday, June 24, 2007

* Introducing . . . JOHN & MARTHA!

This is a trial run of a planned cartoon series featuring John and Martha, two Turkey Vultures. John is an avid Minnesota Twins fan, and Martha enjoys the masochism of reading Kafka. . . . (Really, I just made all that up. I have to get to know them better first. But apparently John has some angst regarding relationships, and Martha has a rather sharp tongue.) But: BEST OF ALL, I do know that they listen to/watch the same talk shows that I do!—so some feathers may fly. . . . {original Turkey Vulture photos: TCG, Canyon Lake, SD, 6/14/07}

* Western Bird Notes—and a New Poem

My recent trip out "west" was a reminder of how a mere 500-mile difference in habitat changes the very birds. Well, sort of, since the old French saying, "plus ça change, plus c'est la même chose" still rings true, as similar niches are taken over by different, but closely related, birds. Mountain Bluebirds rather than Eastern Bluebirds, for instance. The Bullock's replaces the Baltimore Oriole; the Spotted becomes surrogate for the Eastern Towhee; the Violet-Green Swallow zips over the lake instead of the Tree Swallow. In the place of (mostly) White-Breasted Nuthatches, I see/hear (more of) the Red-breasted species. No more Eastern Meadowlarks at all—only Western. Lazuli instead of Indigo Buntings. (One notable exception: Eastern Kingbirds are still more common than the Western variety, here in Western SoDak: they are the true "tyrant flycatchers" in that sibling rivalry!—as the many pecks to the head they've given me in one lifetime prove.)

Two other western/Black Hills species reminded me of something else (besides the fact that I used to write poems)—the ornithological names of birds are often themselves acts of Western imperialism:


    TWO BIRDS MEET LEWIS & CLARK (1805-1806)
                                                                --TCG, 6/23/07

            I: Lewis's Woodpecker  

They call me Lewis's Woodpecker.
I didn't choose that name, but after millennia of me
hammering at the dead wood of these pine hills . . .
they came: with maps, and a native woman, and a
whole mind's-load of old world naturalist terms & knowledge.

In fact, I guess my real name is Latin now, but I can't even
begin to pronounce it—so just call me "Lewie," after that
guy who kept looking around and writing things down, in a
fine script, as if he were capturing my feathered soul.
I heard that he killed himself, only a few years later.
Why he did is beyond my understanding, but then,
I am only a bird.

            II: Clark's Nutcracker  

Well, this Lewis fellow's sidekick was named Clark, and so
here I am, or how you know me. The only thing else you
need to know, apparently, is that I crack open
pine cones for a living.

But did you also know that my nickname is "camp robber"?
Yes, tourists, I'll steal your picnic table blind. But hey, that's
nothing, compared to what Lewis &
Clark started here, halfway on the
way to stealing a continent.

Saturday, June 23, 2007

* "Lose the 'Old Country,' Damned Immigrants!"

I'm tired of these immigrants to the grand ol' U.S.A. who refuse to assimilate. You know who I mean. For instance, there's this town in Nebraska I drive through on the way to my wive's in SoDak: since it dubs itself the "Swedish Capital of Nebraska," many of its business signs sport the foreign word, Valkommen. (This may be some code word to new illegal Swedes, for all I know, still sneaking in by the buggy-load . . . from Minnesota?) Let's ASSIMILATE, people! We didn't let you into this country so that you could cling to the antique foreigner ways of your ethnic isolationism—which, from what I hear on the talk radio, consist mainly of sexual and socialist perversions.

* RADIO RANT: Bill—AHM—O'Reilly

I've TRIED to listen to this fellow's—AHM—radio show long enough to critique its—AHM—content, but I find myself immediately wanting to calculate how many times he says "AHM" per minute: the O'Reilly ahm is surely one of the loudest and most obnoxious phatic placeholder syllables in the history of electronic media. (Or perhaps this word is a mantra, related to the Sanscrit OM, and Bill is really meditating his way to nirvana as he speaks. This might explain the fact that many of his utterances make as much sense as a Zen koan.)

A Word from One of My Sponsors (not "AdSense"; rather "MadSense" or "RadSense"):

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